Research unit: Centre for the Study of the Sociology and Aesthetics of Music (CESEM)

Training
YearDegreeAreaInstitution
  • James Paisible’s Instrumental Trios  
  • Sonia Gonzalo Delgado, Santiago Kastner and the Programming of Early Iberian Keyboard Music  
  • The Portuguese Court’s Acquisition of Musical Scores from Italy in the Late Eighteenth and Early Nineteenth Centuries and the Fundo do Conde de Redondo  
  • A Case for Charpentier  
  • Authorship and Improvisation in Sixteenth- and Seventeenth-Century Keyboard Music  
TitleFunding sourceStartState
Completed
PositionStartEnd